PIANO JAZZ
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time for jazz :: Джаз клуб :: Джаз клуб
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Re: PIANO JAZZ
William Thomas "Billy" Strayhorn (November 29, 1915 – May 31, 1967) was an American composer, pianist and arranger, best known for his successful collaboration with bandleader and composer Duke Ellington lasting two decades. His compositions include "Chelsea Bridge", "Take the "A" Train" and "Lush Life".
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Re: PIANO JAZZ
William "Billy" Thomas Strayhorn
was born in Dayton, Ohio, November 29, 1915. His family was from Hillsborough, North Carolina, and he spent many months of his childhood at his grandparents' house there. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life, and where he first became interested in music, playing hymns on her piano and playing records on her Victrola record player.[1] He began his musical career in Pittsburgh, where he studied classical music for a time at the Pittsburgh Music Institute, wrote a high school musical, formed a musical trio that played daily on a local radio station, and, while still in his teens, composed (with lyrics) the songs Life is Lonely (later renamed Lush Life), My Little Brown Book, and Something to Live For. While still in grade school, he worked odd jobs to earn enough money to buy his first piano. While in high school, he played in the school band, and studied under the same teacher who had earlier instructed jazz pianists Errol Garner and Mary Lou Williams. By age 19 he was writing for a professional musical, Fantastic Rhythm. Ето едно по камерно изпълнение на същата пиеса на били Стрейхорн- Take the 'A" train
Пол Дезмънд-алто sax и Дейв Брубък piano
was born in Dayton, Ohio, November 29, 1915. His family was from Hillsborough, North Carolina, and he spent many months of his childhood at his grandparents' house there. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life, and where he first became interested in music, playing hymns on her piano and playing records on her Victrola record player.[1] He began his musical career in Pittsburgh, where he studied classical music for a time at the Pittsburgh Music Institute, wrote a high school musical, formed a musical trio that played daily on a local radio station, and, while still in his teens, composed (with lyrics) the songs Life is Lonely (later renamed Lush Life), My Little Brown Book, and Something to Live For. While still in grade school, he worked odd jobs to earn enough money to buy his first piano. While in high school, he played in the school band, and studied under the same teacher who had earlier instructed jazz pianists Errol Garner and Mary Lou Williams. By age 19 he was writing for a professional musical, Fantastic Rhythm. Ето едно по камерно изпълнение на същата пиеса на били Стрейхорн- Take the 'A" train
Пол Дезмънд-алто sax и Дейв Брубък piano
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продължава поредицата велики джаз пианисти-Earl Hines
Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (28 December 1903[1] Duquesne, Pennsylvania – 22 April 1983 in Oakland, California) was one of a small number of pianists whose playing shaped the history of jazz.
Earl Hines was born in the Pittsburgh suburb of Duquesne, Pennsylvania. His father was a cornetist and leader of Pittsburgh's Eureka Brass Band,[3] his stepmother a church organist.[4] Hines at first intended to follow his father's example and play cornet but "blowing" hurt him behind the ears — while the piano didn't.[5][6] He took classical piano lessons but also developed an ear for popular show tunes and was able to remember and play songs he heard in theaters.[7] Hines claimed that he was playing piano around Pittsburgh "before the word 'jazz' was even invented"Бриянтното изпълнениение на Рагтайм стилът е достигнало върхът
Earl Hines was born in the Pittsburgh suburb of Duquesne, Pennsylvania. His father was a cornetist and leader of Pittsburgh's Eureka Brass Band,[3] his stepmother a church organist.[4] Hines at first intended to follow his father's example and play cornet but "blowing" hurt him behind the ears — while the piano didn't.[5][6] He took classical piano lessons but also developed an ear for popular show tunes and was able to remember and play songs he heard in theaters.[7] Hines claimed that he was playing piano around Pittsburgh "before the word 'jazz' was even invented"Бриянтното изпълнениение на Рагтайм стилът е достигнало върхът
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Earl Hines
Някой да възразява срещу едно такова изпълнение, при което нивото на преподаваната лекция по пиано преминава на ниво концертно изпълнение.
И обърнете внимание как изведнаж, след говорът стартира "бугито"..................
И обърнете внимание как изведнаж, след говорът стартира "бугито"..................
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Earl Hines-"Memories Of You"
Бъзсмъртното парче "Memories of You" is a popular song written by Andy Razaf and Eubie Blake and published in 1930.
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Earl " Fatha" Hines - The Stanley Steamer
Едно от любимите ми парчета в изпълнение на Ърл Хайнс
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Teddy Wilson & Earl Hines duo
Плодотворното сътрудничество на Ърл с големи пианисти от ерата на суинга е дало много музикални плодове на които ние сега се наслаждаваме!
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Earl Hines & Jackie Byard
Earl Hines и близу двадесет години по-младият Jackie Byard, правят невероятно duo ......много интересна "гоненка" из мелодията си правят двамата музиканти
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Earl Hines
Jazz Piano Workshop 1965 - Jaki Byard & Earl Hines като че ли няма нужда от никакъв коментар за нивото на изпълнение :119: така свирят великаните!
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Re: PIANO JAZZ
Така свири на пианото си шесдесетгодишният Ърл, че дори си тананика известното парче hanny sk. rose :114:
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Re: PIANO JAZZ
Добър вечер любители на джаза.
Ще започна с едно парче на Луи Армстронг-Old stars- участват известни звезди-
Джак Тии Гардън-тромбон, Ърл Хайнс-пиано, Сачмо-тромпет,
Ще започна с едно парче на Луи Армстронг-Old stars- участват известни звезди-
Джак Тии Гардън-тромбон, Ърл Хайнс-пиано, Сачмо-тромпет,
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Satin Doll - John Pizzarelli
Satin Doll--в изпълнение на синът на великият китарист, Бъки Питцарелли
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"Satin Doll" Joe Pass
И още едно изпълнение на същото парче-"Satin Doll", този път в изпълнение на Джо Пасс//когото имах удоволствието да видя и слушам в зала универсияда в едно от поредните издание на София джаз фест--в ранните осемдесет на миналия век//
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Ella and Duke - Côte d'Azur - I
И отново да продължим с патриарха на джаз пианото Едуард Кенеди Елингтън--по известен като Дюк of Елингтън.
Нейно Величество Елла Фитцжералд и отново Satin Doll
Нейно Величество Елла Фитцжералд и отново Satin Doll
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Duke Ellington - Kind of Dukish
А ето и най любимото ми парче от всичко изсвирено от Дюк и успяло да стигне до слухът ми(а то никак не е малко)
Дюк и "ПИАНО ПЛЕЙЪР"
Дюк и "ПИАНО ПЛЕЙЪР"
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Stompy Jones by Duke Ellington
Stompy Jones by Duke Ellington
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Duke Ellington - Jack The Bear
Duke Ellington - Jack The Bear
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Duke Ellington,
Duke Ellington Take the A Train Soundie 1940's
Ето го и флагманът на джаз парчетата на Дюк
Ето го и флагманът на джаз парчетата на Дюк
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Duke Ellington
Duke Ellington - Take the A Train (Ella Fitzgerald)!!!
Ако някой си е помислил, че "А тренът" няма да стане "жертва" на Елла, то значи че не я познава.......само се чудя, как първата дама на джаза е успяла да запомни трудния текст на парчето Супер! Щом успя да вкара в интригата и Чатануга чу-чу,...no comment :119:
Ако някой си е помислил, че "А тренът" няма да стане "жертва" на Елла, то значи че не я познава.......само се чудя, как първата дама на джаза е успяла да запомни трудния текст на парчето Супер! Щом успя да вкара в интригата и Чатануга чу-чу,...no comment :119:
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Duke Ellington
Perdido by Billy Taylor, Duke Ellington and Willie the Lion Стотици пъти сам слушал това парче....и не мога да кажа, че ми е омръзнало
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Duke Ellington
Нищо по добро не мога да измисля като завършване на таз вечершната ни среща от Duke Ellington - Caravan
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time for jazz :: Джаз клуб :: Джаз клуб
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